When marble and clay come alive
While anchoring his practice in the traditions of antiquity and the Renaissance, Auguste Rodin (1840–1917) paved the way for modern sculpture. From a very early stage, he was interested in movement, the expre
Largely self-taught as an artist, Francis Bacon (1909-1992) developed a unique ability to transform interior and unconscious impulses into figurative forms and intensely claustrophobic compositions.
Emerging into notoriety in the period fo
A boxed set of 25 Hieronymus Bosch postcards
Monsters, symbols, and hidden meanings abound in this boxed set of 25 Hieronymus Bosch postcards, including stunning details The Garden of Earthly Delights.
An enigmatic world of masks and the macabre
An Expressionist before the term was coined, James Ensor (1860–1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched fr
Making sense of revolutionary new forms
Abstraction shook Western art to its core. In the early part of the 20th century, it refuted the reign of clear, indisputable forms and confronted audiences instead with vivid visual poems devoid of c
Renaissance man in extremis
Michelangelo, in pursuit of the beautiful and sublime
Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475 1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold ach
In the mid-1950s, Yves Klein (1928–1962) declared that “a new world calls for a new man.” With his idiosyncratic style and huge charisma, this bold artist would go on to pursue a brief but bountiful career, producing more than 1,000 paintin
Georgia O’Keeffe (1887–1986) was a major figure in modern American art for some seven decades. Importantly, her fame was not associated with shifting art styles and trends, but rather with her own unique vision, based on finding essential a
In the work of Joseph Mallord William Turner (1775–1851) lies an impact akin to a sudden acquisition of sight. His landscapes and seascapes scorch the eye with such ravishing light and color, with such elemental force, it is as if the sun i
Psychodrama: The reverberating power of an Expressionist icon A hairless, ghostly figure on a bridge. The sky orange-red above him. His hands raised to his ears, his mouth wide in a haunting wail. In painting The Scream, Edvard Munch (1863
Edward Hopper (1882–1967) is something of an American success story, if only his success had come swifter. At the age of 40, he was a failing artist who struggled to sell a single painting. As he approached 80, Time magazine featured him on
Immerse yourself in the rich shades and textures of Tiziano Vecellio (c. 1490–1576), commonly known as Titian, and the figurehead of 16th-century Venetian painting. With his bold approach to form and startling, opulent colors, Titian worked
Ten produkt jest zapowiedzią. Realizacja Twojego zamówienia ulegnie przez to wydłużeniu do czasu premiery tej pozycji. Czy chcesz dodać ten produkt do koszyka?