Okładka książki Bellini: I Capuleti e I Montecchi
Bellini’s opera version of the Romeo and Juliet story is one of his finest early works, the first to unequivocally display his mature style. It had a fully successful early run, although it has suffered much neglect in subsequent years, in
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Okładka książki Verdi: Ernani
“Bruno Prevedi … sings ardently, is stylistically right, has all the notes, and makes a good bandito. Peter Glossop [is] … a superb Carlo, dignified and noble … Boris Christoff is his usual cavernous self as the villainous Silva, and to say
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Okładka książki Strauss: Elektra
This classic performance of Richard Strauss’s Elektra, recorded live on August 7, 1957, is a priceless record of one of the greatest overall casts ever assembled for this explosive drama. Today’s listener will be startled to see the famous
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Okładka książki Legendary performances of Franco Corelli
Seven complete operas starring the great Franco Corelli! Seven great live opera recordings at budget price in one space-saving set, featuring a twenty four page booklet with biographies, detailed listings, and historic photos! Exciting live
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Opakowanie French Opera masterworks
French Opera masterworks
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Six complete operas from the French repertoire in one space-saving set, featuring a twenty-four-page booklet with biographies, detailed listings, and historic photos! Exciting live recordings taped 1964–1973.
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Okładka książki Legendary performances of Elisabeth Schwarzkopf
Six complete operas starring the great Elisabeth Schwarzkopf at budget price in one space-saving set, featuring a twenty-four-page booklet with biographies, detailed listings, and historic photos! Exciting live recordings taped 1945–1956. G
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Okładka książki Dionizetti: Gemma di Vergy
Little known today, mainly because almost no sopranos other than Mme. Caballé can sing it, Gemma di Vergy was for some years in the 19th century the most popular opera by Donizetti, produced more often than Lucia, Don Pasquale, L'elisir d'a
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Okładka książki Beethoven: Fidelio
Beethoven’s only opera is heard here in a miraculous performance with probably the best cast and conductor ever captured on disc. Selected as one of the best performances from the vast Opera d’Oro catalog and reissued with new packaging, th
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Okładka książki Verdi: Falstaff
Verdi’s last opera, written when he was approaching eighty, was only the second comedy of his long career, following the ill-fated Un giorno di regno of fifty years before. His friend and collaborator Arrigo Boito, who had with some difficu
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Okładka książki Wagner: Der Fliegende Hollander
Wagner’s early masterpiece is heard in an authoritative, truly classic performance from the composer’s own theater in Bayreuth, Germany, the shrine and Mecca of the true Wagnerite. Some of the greatest singers of the era lead the cast, incl
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Okładka książki Bizet: Carmen
An all-star live production of this most popular of operas, complete with extensive notes, newly-translated libretto, remastered digital sound, and beautiful packaging, all at mid-price! One of the first recordings of Carmen made using the
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Okładka książki Strauss: Der Rosenkavalier
Another entry in the immortal catalogue of conductor Carlos Kleiber (1930–2004), a colossus among 20th-century musicians. Although Kleiber had one of the most limited repertoires of any conductor, within his sphere he was often unapproachab
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Okładka książki Strauss: Die Agyptische Helena
Leonie Rysanek was one of the greatest Wagner-and-Strauss sopranos of recent times and many of her recordings are considered definitive. Certainly that description applies to this legendary performance, which most critics agree has never be
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Okładka książki Strauss: Die Frau ohne Schatten
Die Frau ohne Schatten (The Woman Without a Shadow) was first heard at the Vienna State Opera on October 10, 1919. Though admired by many, it had a mixed reception. The libretto by Strauss’s favorite collaborator Hugo von Hofmannsthal is de
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Okładka książki Verdi: Don Carlo
Don Carlo has an unusual place in Verdi’s canon: it is one of his greatest operas, yet one of the least performed. Originally written in French as Don Carlos for the Paris Opéra in 1867, it is more often heard today translated back into Ita
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Okładka książki Hindemith: Cardillac
The only recording ever made of this 20th-century masterpiece features the towering artistry of Fischer-Dieskau in the title role of a Renaissance goldsmith who murders his customers because he can’t bear to let go of his creations. Availab
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Okładka książki Marschner: Der Vampyr
Heinrich Marschner (1795–1861) was a popular Early Romantic opera composer in Germany whose works disappeared for a few decades but have been successfully revived in recent times. Two of his operas, the proto-Wagnerian Hans Heiling, and the
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Okładka książki Weber: Der Freischutz
Der Freischütz was the fi rst great German national opera, breaking the stranglehold of the Italians over the opera world. Its premiere in 1821 was a sensation, and Weber was proclaimed the founder of the German Romantic opera school. Richa
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Okładka książki Mozart: Don Giovanni
Live performance, Rome, May 12, 1970. Features original artwork by Rafal Olbinski, re-mastered sound, and 76-page booklet with historic photos. Complete Italian-English libretto newly translated for this release, with an extensive essay on
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Okładka książki Dionizetti: Belisario
When Leyla Gencer died at age 79 in 2008, the obituary in The Guardian (UK) called her “the greatest Turkish opera singer of the 20th century and a singing actor of formidable power and individuality.” Beloved of her fans, who called her “t
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