Okładka książki Legendary performances of Franco Corelli
Seven complete operas starring the great Franco Corelli! Seven great live opera recordings at budget price in one space-saving set, featuring a twenty four page booklet with biographies, detailed listings, and historic photos! Exciting live
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Okładka książki Dionizetti: Gemma di Vergy
Little known today, mainly because almost no sopranos other than Mme. Caballé can sing it, Gemma di Vergy was for some years in the 19th century the most popular opera by Donizetti, produced more often than Lucia, Don Pasquale, L'elisir d'a
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Opakowanie German Opera Masterworks
German Opera Masterworks
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Exciting live recordings taped 1945–1972 featuring the greatest operas from Mozart to Strauss. It was Mozart who first established a viable, lasting school of German opera with Die Entführung aus dem Serail (“The Abduction from the Seraglio
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Okładka książki Legendary performances of Giuseppe di Stefano
During his peak years, Giuseppe Di Stefano (b. 1921) had one of the most sensually beautiful tenor voices ever recorded. He was universally regarded as the leading lyric tenor in the world during the 1950s, and he was the tenor most often c
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Okładka książki Bellini: I Capuleti e I Montecchi
Bellini’s opera version of the Romeo and Juliet story is one of his finest early works, the first to unequivocally display his mature style. It had a fully successful early run, although it has suffered much neglect in subsequent years, in
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Opakowanie Bel Canto: The Beautiful Voices of Italian Ope
Seven complete operas from the bel canto repertoire—great live opera recordings at budget price in one space-saving set! Exciting live recordings taped 1955–1971! Rossini is said to have defined bel canto as denoting a voice of natural beau
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Okładka książki Dionizetti: Belisario
When Leyla Gencer died at age 79 in 2008, the obituary in The Guardian (UK) called her “the greatest Turkish opera singer of the 20th century and a singing actor of formidable power and individuality.” Beloved of her fans, who called her “t
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Okładka książki Hindemith: Cardillac
The only recording ever made of this 20th-century masterpiece features the towering artistry of Fischer-Dieskau in the title role of a Renaissance goldsmith who murders his customers because he can’t bear to let go of his creations. Availab
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Okładka książki Bizet: Carmen
An all-star live production of this most popular of operas, complete with extensive notes, newly-translated libretto, remastered digital sound, and beautiful packaging, all at mid-price! One of the first recordings of Carmen made using the
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Okładka książki Mozart: Cosi fan Tutte
The newest release in Opera d’Oro’s Grand Tier series is of a live performance at the Salzburg Festival in 1972, with an all-star cast in one of Mozart’s greatest operas. Although everyone agrees today that Cosi fan tutte is one of the best
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Okładka książki Wagner: Der Fliegende Hollander
Wagner’s early masterpiece is heard in an authoritative, truly classic performance from the composer’s own theater in Bayreuth, Germany, the shrine and Mecca of the true Wagnerite. Some of the greatest singers of the era lead the cast, incl
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Okładka książki Weber: Der Freischutz
Der Freischütz was the fi rst great German national opera, breaking the stranglehold of the Italians over the opera world. Its premiere in 1821 was a sensation, and Weber was proclaimed the founder of the German Romantic opera school. Richa
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Okładka książki Strauss: Der Rosenkavalier
Another entry in the immortal catalogue of conductor Carlos Kleiber (1930–2004), a colossus among 20th-century musicians. Although Kleiber had one of the most limited repertoires of any conductor, within his sphere he was often unapproachab
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Okładka książki Marschner: Der Vampyr
Heinrich Marschner (1795–1861) was a popular Early Romantic opera composer in Germany whose works disappeared for a few decades but have been successfully revived in recent times. Two of his operas, the proto-Wagnerian Hans Heiling, and the
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Okładka książki Strauss: Die Agyptische Helena
Leonie Rysanek was one of the greatest Wagner-and-Strauss sopranos of recent times and many of her recordings are considered definitive. Certainly that description applies to this legendary performance, which most critics agree has never be
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Okładka książki Strauss: Die Frau ohne Schatten
Die Frau ohne Schatten (The Woman Without a Shadow) was first heard at the Vienna State Opera on October 10, 1919. Though admired by many, it had a mixed reception. The libretto by Strauss’s favorite collaborator Hugo von Hofmannsthal is de
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Okładka książki Verdi: Don Carlo
Don Carlo has an unusual place in Verdi’s canon: it is one of his greatest operas, yet one of the least performed. Originally written in French as Don Carlos for the Paris Opéra in 1867, it is more often heard today translated back into Ita
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Okładka książki Mozart: Don Giovanni
Live performance, Rome, May 12, 1970. Features original artwork by Rafal Olbinski, re-mastered sound, and 76-page booklet with historic photos. Complete Italian-English libretto newly translated for this release, with an extensive essay on
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Okładka książki Strauss: Arabella
Arabella was first heard in 1933. A kind of sequel to Der Rosenkavalier of 1911, it was to take its place as one of Richard Strauss’s more popular operas, thanks to its good-natured story and pleasing, romantic music. Originally conceived a
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Okładka książki Dvorak: Rusalka
Dvoˇrák’s most popular opera contains “The Song to the Moon,” one of the most gorgeous soprano arias ever written, but the rest of the music is just as enchanting and should be cherished by every opera fan. This is the only midprice recordi
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