Royal Academy of Arts

Dali/Duchamp examines in detail the often-overlooked relationship between two of the twentieth century's most famous artists. Though polar opposites at first glance, Duchamp, the father of conceptual art who rejected painting in 1918; and t

James Ensor (1860-1949) produced one of the most unusual bodies of work at the turn of the twentieth century. Marked by psychological complexity, contradictions and sheer eccentricity, his works - featuring such bizarre subject-matter as dr