Erik Bosgraaf

A new recording of the carefully refined, endlessly revised oeuvre of Pierre Boulez is always worth celebrating, but this one stems from a source hitherto unknown in the composer’s own instrumentarium: the recorder. In 2011 Boulez granted s

Concerto No.1 in E major RV269 'La primavera' ('Spring') 1 I. Allegro 3'12 2 II. Largo 2'40 3 III. Allegro: Danza pastorale 4'03 Concerto No.2 in G minor RV315 'L'estate' ('Summer') 4 I. Allegro non molto 5'02 5 II. Adagio 2'20 6 III. Pres