Okładka książki Violin Showcase
Composers: John Williams, Henryk Wieniawski, Johannes Brahms, Edward Elgar, Pablo de Sarasate, Pyitr Ilyich Tchaikovsky, Niccolo Paganini. Violin: Matthieu Arama Piano : Aurélien Pontier
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Opakowanie Shostakovich Edition
Shostakovich Edition
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Dmitri Shostakovich was the chronicler, the poet in music, of Soviet Russia: from its bright and optimistic inception as enshrined in his First Symphony, through the gradual alienation experienced by genuinely creative figures within Stalin
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Okładka książki Schoenberg: Gurrelieder
Gurrelieder is a gigantic, post-Wagnerian cantata that, in retrospect, seems like the terminus ante quem for Romanticism in music, beyond which further elaboration or intensity was surely impossible, and led surely if not inevitably to the
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Okładka książki Gluck: Orfeo ed Euridice
Christoph Willibald Gluck is one of the great reformers of opera, departing from the tried and tested genres of opera seria in the 18th century: Metastasio's drama per musica and Rameau's tragédie lyrique. Gluck sought to restore dramatic t
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Okładka książki Nicolai: Die Lustige Weiber Von Windsor
"There proves to be scarcely an inferior page in the whole work [...] and much of the writing is absolutely delicious." (Gramophone) So strongly associated with Otto Nicolai is Die lustigen Weiber von Windsor that often people are surprise
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Okładka książki Dargomyzhsky: Rusalka
Best known for his final opera, The Stone Guest, Alexander Dargomyzhsky was a 19th-century composer who effectively bridged the gap in Russian national opera between Mikhail Glinka and the later generation of The Five and Tchaikovsky. His R
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Okładka książki Leyding / Kneller / Geist: Complete Organ Music
Manuel Tomadin follows up his first album for Brilliant Classics, of Weimar-composed chorales by J.S. Bach (94456), with some little-known musical treasures from Hamburg c.1700 complemented by a bona-fide rarity by Bach, a chorale fantasia
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Okładka książki Hindemith: Orchestral Works
Here's a collection unrivalled in its scope within the current catalogue, of orchestral works by one of the most prolific of 20th-century, Paul Hindemith, whose reputation as a purveyor of 'useful' music has perhaps overshadowed his colourf
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Okładka książki C. P. E. Bach: Sonaten Fur Kenner Und Liebhaber
The most boldly original and innovative of Johann Sebastian Bach's composer-sons, Carl Philipp Emanuel did not have to wait long, unlike his father, for public recognition. His music continued to be held in high esteem after his death, with
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Okładka książki Part: Fur Anna Maria, Complete Piano Music
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems t
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Okładka książki Khrennikov: Violin Concertos, Piano Concertos
Tikhon Khrennikov was certainly an equivocal figure in the history of 20th-century Russian music. A composer with a tendency towards popular theatrical genres and lyricism, the naively optimistic nature of his music was soon noticed by the
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Okładka książki De Visee: La Musique de la Chambre du Roy
Little is known about Robert de Visée's life. The facts that have survived, however, reveal an illustrious career: as well as playing the guitar, lute, theorbo and viola da gamba, the Frenchman was also a singer and composer, and in 1680 he
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Okładka książki Telemann: 7 Scherzi Melodichi
What can one do with the seemingly inexhaustible output of Telemann, beyond perhaps sitting back and enjoying its good humour and melodic fecundity? The conceit behind this little-recorded set of chamber music, first published in Hamburg on
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Okładka książki Roberto Fabbriciani: Alchemies
The four elements, regarded by ancient cultures as vital to the development of humanity, have long been interpreted as components of life and death, effectively encapsulating transformative cycles through their continual promotion of balanc
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Okładka książki Scarlatti: Violin Sonatas
Amid Domenico Scarlatti's extensive output of over 555 keyboard sonatas lie a small number of works that, given such traits such as figured bass, multi-movement structure and even bowing-like articulation, were probably originally written f
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Okładka książki Respighi: Orchestral Works Vol. 4
Brilliant Classics' survey of Respighi's complete orchestral music continues here, with a release that explores the Italian composer's modernising of the past (as previously evidenced in works such as Gli uccelli, see volume 1) as well as t
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Okładka książki Schubert: String Quartets Volume 2
There is little doubt that Vienna at the turn of the 19th century was the musical capital of the world; a nexus for the string quartet composer, who could alternate composing for the leading virtuosos of the day with creating works that sat
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Okładka książki Rimsky-Korsakov: The Snow Maiden
"For me there could have been no better subject, no better poetic model, than Snegurochka, the shepherd Lel and Lovely Spring: for me there could be nothing more beautiful than the realm of the strange Tsar Berendey, and no lovelier religio
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Okładka książki Hasselmans: Music For Harp
Alphonse Hasselmans was one of the greatest harp virtuosos of his generation, equally renowned for his powerful sound and velvet touch as for his style of teaching. The Belgium-born maestro was appointed professor at the Paris Conservatoire
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Okładka książki Mozart: Idomeneo
Marking the end of Mozart's early operas, Idomeneo is commonly regarded as the composer's greatest serious opera and his first operatic masterpiece, containing many allusions to the style of the French lyric opera thanks to its beautiful ch
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