Opakowanie German Opera Masterworks
German Opera Masterworks
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Exciting live recordings taped 1945–1972 featuring the greatest operas from Mozart to Strauss. It was Mozart who first established a viable, lasting school of German opera with Die Entführung aus dem Serail (“The Abduction from the Seraglio
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Okładka książki Beethoven: Fidelio
Beethoven’s only opera is heard here in a miraculous performance with probably the best cast and conductor ever captured on disc. Selected as one of the best performances from the vast Opera d’Oro catalog and reissued with new packaging, th
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Okładka książki Legendary performances of Elisabeth Schwarzkopf
Six complete operas starring the great Elisabeth Schwarzkopf at budget price in one space-saving set, featuring a twenty-four-page booklet with biographies, detailed listings, and historic photos! Exciting live recordings taped 1945–1956. G
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Okładka książki Verdi: Ernani
“Bruno Prevedi … sings ardently, is stylistically right, has all the notes, and makes a good bandito. Peter Glossop [is] … a superb Carlo, dignified and noble … Boris Christoff is his usual cavernous self as the villainous Silva, and to say
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Okładka książki Legendary performances of Giuseppe di Stefano
During his peak years, Giuseppe Di Stefano (b. 1921) had one of the most sensually beautiful tenor voices ever recorded. He was universally regarded as the leading lyric tenor in the world during the 1950s, and he was the tenor most often c
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Okładka książki Legendary performances of Franco Corelli
Seven complete operas starring the great Franco Corelli! Seven great live opera recordings at budget price in one space-saving set, featuring a twenty four page booklet with biographies, detailed listings, and historic photos! Exciting live
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Okładka książki Verdi: Falstaff
Verdi’s last opera, written when he was approaching eighty, was only the second comedy of his long career, following the ill-fated Un giorno di regno of fifty years before. His friend and collaborator Arrigo Boito, who had with some difficu
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Okładka książki Strauss: Elektra
This classic performance of Richard Strauss’s Elektra, recorded live on August 7, 1957, is a priceless record of one of the greatest overall casts ever assembled for this explosive drama. Today’s listener will be startled to see the famous
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Okładka książki Tchaikovsky: Eugene Onegin
“This studio recording—a rare undertaking during this period in the Soviet era—represents one of the high points of the Eugene Onegin discography, not just for historical reasons but for the heat and conviction of its artistry. Eight months
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Okładka książki Giordano: Fedora
Enrico Caruso sang in the premiere of this opera in 1898, and it became a favorite worldwide. Giordano’s opera Andrea Chenier eventually surpassed it in popularity, and today it is a staple mainly of Italian opera houses—but its great tenor
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Okładka książki Bellini: I Capuleti e I Montecchi
Bellini’s opera version of the Romeo and Juliet story is one of his finest early works, the first to unequivocally display his mature style. It had a fully successful early run, although it has suffered much neglect in subsequent years, in
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Okładka książki Dionizetti: Gemma di Vergy
Little known today, mainly because almost no sopranos other than Mme. Caballé can sing it, Gemma di Vergy was for some years in the 19th century the most popular opera by Donizetti, produced more often than Lucia, Don Pasquale, L'elisir d'a
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Okładka książki Hindemith: Cardillac
The only recording ever made of this 20th-century masterpiece features the towering artistry of Fischer-Dieskau in the title role of a Renaissance goldsmith who murders his customers because he can’t bear to let go of his creations. Availab
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Okładka książki Wagner: Der Fliegende Hollander
Wagner’s early masterpiece is heard in an authoritative, truly classic performance from the composer’s own theater in Bayreuth, Germany, the shrine and Mecca of the true Wagnerite. Some of the greatest singers of the era lead the cast, incl
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Okładka książki Strauss: Die Frau ohne Schatten
Die Frau ohne Schatten (The Woman Without a Shadow) was first heard at the Vienna State Opera on October 10, 1919. Though admired by many, it had a mixed reception. The libretto by Strauss’s favorite collaborator Hugo von Hofmannsthal is de
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Okładka książki Strauss: Der Rosenkavalier
Another entry in the immortal catalogue of conductor Carlos Kleiber (1930–2004), a colossus among 20th-century musicians. Although Kleiber had one of the most limited repertoires of any conductor, within his sphere he was often unapproachab
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Okładka książki Dionizetti: Belisario
When Leyla Gencer died at age 79 in 2008, the obituary in The Guardian (UK) called her “the greatest Turkish opera singer of the 20th century and a singing actor of formidable power and individuality.” Beloved of her fans, who called her “t
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Okładka książki Mozart: Cosi fan Tutte
The newest release in Opera d’Oro’s Grand Tier series is of a live performance at the Salzburg Festival in 1972, with an all-star cast in one of Mozart’s greatest operas. Although everyone agrees today that Cosi fan tutte is one of the best
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Okładka książki Strauss: Die Agyptische Helena
Leonie Rysanek was one of the greatest Wagner-and-Strauss sopranos of recent times and many of her recordings are considered definitive. Certainly that description applies to this legendary performance, which most critics agree has never be
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Okładka książki Mozart: Don Giovanni
Live performance, Rome, May 12, 1970. Features original artwork by Rafal Olbinski, re-mastered sound, and 76-page booklet with historic photos. Complete Italian-English libretto newly translated for this release, with an extensive essay on
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